Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Elisabeth LouiseVigee Lebrun
Portrait of Pelagie Sapiezyna nee Potocka

ID: 83050

Elisabeth LouiseVigee Lebrun Portrait of Pelagie Sapiezyna nee Potocka
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Elisabeth LouiseVigee Lebrun Portrait of Pelagie Sapiezyna nee Potocka


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Elisabeth LouiseVigee Lebrun

(1755-1842) French Elisabeth Louise Vigee Lebrun Galleries   Related Paintings of Elisabeth LouiseVigee Lebrun :. | Comtesse de la Chatre | Varvara Ivanovna Narishkine nee Ladomirsky | Portrait of Maria Teresa of Naples and Sicily | Prince Henry Lubomirski | Self Portrait-y |
Related Artists:
Antonis Mor
1519-1575
CORTE, Gabriel de la.
Spanish painter b. 1648, Madrid, d. 1694, Madrid
Francesco Zuccarelli
Italian 1702-1788 1788). Italian painter and draughtsman, active in England. Zuccarelli training began in Florence, where he engraved the frescoes by Andrea del Sarto in SS Annunziata. He then studied in Rome under Paolo Anesi and learnt figure drawing from Giovanni Maria Morandi (1622-1717), although in this he never acquired any great skill. His earliest recorded paintings were Mary Magdalene and St Jerome (both untraced), which he contributed to the exhibition of the feast of St Luke in Florence in 1729. He also painted portraits. Around 1730 he moved to Venice and began painting landscapes exclusively. His interest in this field may have led to his becoming acquainted with the Welsh landscape painter Richard Wilson in 1750-51. Wilson painted a lively portrait of him (1751; London, Tate) in exchange for one of Zuccarellis landscapes. Zuccarelli avoided both the topographical type of Venetian view developed by Canaletto and the stormier landscapes of Marco Ricci, adopting instead a decorative landscape style of idealized Italian countryside. His subject-matter was usually unspecific rather than recognizably historical, biblical or mythological. For example, in the early 1740s he executed six paintings purporting to be scenes from the story of Jacob, but the paintings themselves bear few references to it (e.g. Landscape with Two Seated Women Embracing, 1743; Windsor Castle, Berks, Royal Col.).






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